It's always an uncomfortable moment when you've done something you had no intention of doing but, because it was evidently a good thing, I accepted the praise, feigned an understanding of the word and quickly directed the topic to something else.
I went home that evening and looked up the definition of the
word so the next time I employed parallax I knew I was doing it.
Parallax is defined as "an apparent change in the
position of an object resulting from a change in position of the
observer." Imagine sitting on a moving train and how objects in the
foreground move across your field of vision much faster than those in the
background, with distant mountains appearing stationary while utility poles
clip by in a blur. The relative movement of these disparate visual elements
created by the movement of you on the train is parallax.
Parallax is an interesting occurrence that may seem a little
esoteric at first - in an architectural sense anyhow - but is a dynamic in
design that if correctly used can bring a space to life.
Older homes with lots of enclosed rooms connected by
corridors don't afford the observer much, if any, sense of parallax. Views are
confined and opportunities are few.
But in more open layouts where enclosing walls have been
removed (partly or completely), where columns, stairs or millwork begin to
define living spaces, one will find that parallax becomes a discernible component
of the design. Various elements within the plan will move relative to one
another and their backgrounds, creating a sense of movement within the space.
Frank Lloyd Wright intuitively understood the dynamic nature
of parallax and enhanced its quality by incorporating a hexagonal grid in the
layout of a number of his homes. The oblique angles of the walls and components
provided wonderful opportunities for diagonal views through the homes and
increased the sense of movement between elements.
The concept of a diagonal view is important when thinking
about parallax. Diagonal views are used in both film and theatre to add energy
to a scene, and can be used in combination with parallax - as seen in Frank
Lloyd Wright's work - to create dynamic architectural spaces as well. The
perceived size of a rectilinear space will always seem bigger looking across
the diagonal and the illusion can be used in a layout to make a modest space
feel larger.
Understanding and utilizing the phenomenon of parallax in
design is a wonderful way of bringing energy to a space.
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